Hoffman and Thomson Successfully Defend Their Dissertations
Charles: J. Edgar Hoover and the Anti-interventionists
J. Edgar Hoover and the Anti-interventionists
FBI Political Surveillance and the Rise of the Domestic Security State, 1939–1945
Douglas M. Charles
In this very timely manuscript, Douglas M. Charles reveals how FBI Director J. Edgar Hoover catered to President Franklin D. Roosevelt’s political interests. Between 1939 and 1945, the Federal Bureau of Investigation monitored the political activities of President Roosevelt’s anti-interventionist foreign policy critics. Hoover, whose position as FBI director was tenuous within the left-of-center Roosevelt administration, catered to the president’s political and policy interests in order to preserve his position and to expand FBI authority. In his pragmatic effort to service administration political goals, Hoover employed illegal wiretaps and informers, collected derogatory information, conducted investigations that had the potential to discredit the anti-interventionists, forwarded political intelligence to administration officials, and coordinated some activity with British intelligence. This all occurred within a crisis atmosphere created with the onset of the Second World War, and it was this political dynamic that permitted Hoover to successfully cultivate his relationship with President Roosevelt. In the process, the administration’s otherwise legitimate foreign policy opposition—regarded by some as subversive—had their civil liberties violated through intensive FBI scrutiny of their political dissent. Moreover, the FBI’s surveillance marks the origins of the FBI’s role in the later national security state. Among the targets examined in this book are Charles Lindbergh, the America First Committee, notable anti-interventionist senators and congressmen, the anti-interventionist press, and other prominent individuals who advocated American isolation from foreign war.http://www.ohiostatepress.org
Baker: America's Gothic Fiction
America’s Gothic Fiction
The Legacy of Magnalia Christi Americana
Dorothy Z. Baker
Secretary to the Salem witch trials, Cotton Mather is the most reviled of our national historians. Yet James Russell Lowell admitted that “with all his faults, that conceited old pedant contrived to make one of the most entertaining books ever written on this side of the water.” In America’s Gothic Fiction, Dorothy Z. Baker investigates the ways in which nineteenth-century authors Edgar Allan Poe, Harriet Beecher Stowe, and Nathaniel Hawthorne, among others, look to Mather’s Magnalia Christi Americana at critical moments in their work and refashion his historical accounts as gothic fiction.
Cotton Mather’s 1702 Magnalia captured the imagination of its readers more than any other colonial history and impressed Americans with its message of American exceptionalism and God’s dramatic intervention on behalf of the country and its citizens. Poe, Stowe, and Hawthorne, who are rarely grouped together in literary studies, have radically divergent responses to Mather’s theology, historiography, and literary forms. However, each takes up Mather’s themes and forms and, in distinct ways, interrogates the providence tales in Magnalia Christi Americana as foundational statements about American history and identity.
Stallings: Mutha' Is Half a Word
Mutha’ Is Half a Word
Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture
L. H. Stallings
Mutha’ Is Half a Word: Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture explores the importance of sexual desire in the formation of radical Black females’ subjectivities in Black women’s culture through the trope of the indefinable trickster figure. L. H. Stallings offers distinct close readings of understudied African American women’s texts through a critical engagement with folklore and queer theory. To date, most studies on the trickster figure have rarely reflected the boldness and daring of the figure itself. Emblematic of change and transgression, the trickster has inappropriately become the methodological tool for conservative cultural studies analysis. Mutha’ Is Half a Word strives to break that convention.
This book provides a much-needed analysis of trickster tradition in regard to gender, sexuality, and Black female sexual desire. It is the only study to focus specifically on trickster figures and African American female culture. In addition, it contributes to conversations regarding the cultural representation of Black female desire in ways that are not strategically invested in heteronormative binaries of male/female and heterosexual/homosexual. The study is distinctly different because it explores folklore, vernacular, and trickster strategies of queerness alongside theories of queer studies to create new readings of desire in literary texts, hip-hop and neo-soul music, and comedic performances by Black females.
Gilbert: The Citizen's Body
The Citizen’s Body
Desire, Health, and the Social in Victorian England
Pamela K. Gilbert
As the idea of citizenship became more inclusive in the nineteenth century, England confronted the problem of those who seemed less fit for the responsibilities of political power. In a liberal society, fit behaviors had to originate in individual choices, rather than in coercion. Thus, social outreach became a matter not simply of giving information, but of educating and managing desire, which in turn required an active role in the very formation of subjectivity. Preparation for citizenship came to be seen as shaping the familial, moral, and physical environments required to foster a natural and healthy body and mind.
The management of the social body through discourses of health became the principal means of negotiating these new questions of citizenship and the Condition of England. The Citizen’s Body traces the construction of citizenship through the figure of the healthy body, in parliamentary debates on the franchise, in sanitary and housing publications, and in novels. The rhetoric of the healthy body as the ground of civic participation permeated the discourse of the novel, as shown in the work of Dickens, Oliphant, Disraeli, Eliot, and Gaskell.
This book offers a new understanding of Victorian liberal thought, citizenship, the social body, and the Victorian novel.