Final Meeting of the Quarter: SPJ@OSU Elections!

Hey guys! We will be having our last meeting of the quarter on Tuesday June 1 at 6 p.m. and we will be meeting in Room 106 in the Journalism Building.


At the final meeting we will be holding elections for the following positions:

President – handles all interactions with the university and oversees the board meetings and group meetings.

Vice President – Assists the president.

Treasurer – Handles the bank account and money from the university. Handles all food orders for meetings.

Relations Exec – Handles the blog and twitter account and assists with announcing meetings.

All members must attend board meetings and group meetings.

Contact Molly Gray, molly.e.gray@gmail.com, if you are interested in applying for any of the positions or just show up at the meeting.

See you then!

Next Week in the Alley: Divas, DJs and More


Put Thursday, June 3, on your calendar for lots of Arts in the Alley activities from 6 to 9 pm -- three gallery openings, live performances and tunes from a local DJ. In the Arts Initiative gallery, John Sherman Lathram III presents The Ladies of Ohio: Digital Divas, a photo exhibition of Ohio's female illusionists. The show includes select, large-scale images from Lathram's upcoming book of the same name. At 7 and 8 pm, several local female illusionists featured in the book -- including Paige Passion, Danyel Vasquez (above), Diamond Hunter and Vivi Velour -- will perform on a stage in the alley. Music will be provided by a guest DJ and refreshments will be served. Across the Alley, the Ohio Art League will present the opening of Amateur Cartography, works by Jen Adrion, curated by Haley Boehning. And the Shoebox gallery continues an exhibition of works by Linda Diec (whose work is shown below). All activities are in the alley at South Campus Gateway, just off High Street at 10th.

Notable News

The Emerging Artist Studio -- our short radio feature that airs weekly on WOSU's Capital City Radio station -- has posted two of our most recent interviews on the program's website. The show, which spotlights Karen Bell talking with local emerging artists, most recently features dancer and choreographer Coco Lupe and artist Laura Alexander (see her work above). You can listen to the interviews here.

Couchfire Collective presents ABX, a two-venue show May 28-29 in Arts in the Alley at South Campus Gateway. The show, which focuses on Visual Rhythms, features artworks by 14 local independent artists in the Ohio Art League Gallery (1552 N High St) and the Arts Initiative gallery (1568 N High St). Opening reception is Fri, May 28, 6-9 pm, with music by special guest DJ Moxy. The exhibition was organized by Juan Cerrera and curated by Stephanie Rond.

ARTillery is hosting a "last Saturday" Art Market in Arts in the Alley on Saturday, May, 29, from 1 to 6 pm. Artists from around the community have been invited to set up their wares for sale in the alley at South Campus Gateway.

HURRY! ENTRY DEADLINE MAY 22ND!!!

Hurry! Deadline for entries is May 22nd, 2010! Late entry deadline is May 29th, with a 50 dollar late entry fee.

FINE ARTS WELCOMES JURORS 2010!

The Ohio State Fair Fine Arts Exhibition welcomes the Visual Art Jurors for 2010! Professional jurors, Tim Rietenbach and Annegreth Nill are both pioneers in the industry, both from very diverse, artistic backgrounds, and Amateur Juror Melissa Vogley Woods, who is no stranger to this particular exhibition. Jurors for the Short Film division are to be announced soon!


PROFESSIONAL JURORS

ARTIST'S...Due to an emergency, our Professional Juror James "blusterone" Alicea, was unable to come to town for the Jury process. Tim Rietenbach, graciously accepted to jury in his place.

Tim Rietenbach, lives in the Short North neighborhood of Columbus with his wife Tamie and three sons Eric, Sam and Cole. Tim is an active artist and Professor currently working at Columbus College of Art and Design. During his time at CCAD he has also served as the Visiting Artist Coordinator, Chair of Foundation Studies, and is currently the Director of student exhibitions. He spent more than a decade living, working and exhibiting in New York City. His large-scale installation work has earned him several Individual Artist Grants from the Ohio Arts Council and the Greater Columbus Arts Council, including the Dresden Residency and funding to install “Gigantic” (one hundred foot human skeleton) at COSI.




Annegreth Nill -
Annegreth T. Nill is an independent curator of contemporary art living and working in Columbus, Ohio. From 2005 to 2008, Dr. Nill was chief curator at the Museum of Art Fort Lauderdale where she organized, among other exhibitions, Pablo Picasso Ceramics / Carlos Luna Paintings, Matthew Schreiber: Platonic Solids and Survivors & Liberators: Portraits by Wilma Bulkin Siegel. Nill was curator of 20th-century and contemporary art at the Columbus Museum of Art from 1995 to 2005. As that museum’s first curator of contemporary art, she curated numerous one-person and group exhibitions including Opening Night: A Video Installation by John Henry Blatter and Twenty Ways to Get an Apple Listening to the Music of Mozart: An Installation by Ilyia and Emilia Kabakov (both installations subsequently joined the permanent collection), and Reordering Reality: Collecting Contemporary Art and Extraordinary Realities: The Lois Plehn Collection. She was also co-curator of the traveling exhibitions Symphonic Poem: The Art of Aminah Brenda Lynn Robinson and Illusions of Eden: Visions of the American Heartland. Prior to leaving for Florida, Nill curated Made in Ohio / Diverse Sources, an exhibition which showcased work by members of the Ohio Art League and was hosted by the Ohio Arts Council’s Riffe Gallery.

To learn more about Annegreth Nill, visit:
http://www.zoominfo.com/people/Nill_Annegreth_90821418.aspx



AMATEUR JUROR

Melissa Vogley Woods -

Melissa Vogley Woods originates from Columbus, Ohio and received her Bachelors of Fine Arts from the Kansas City Art Institute. Recently she has attended the Greater Columbus Arts Council International Artist Residency, and has received an Ohio Arts Council Individual Excellence Award and several Franklin County Neighborhood Arts Grants for her community based work.

Recent International Exhibitions include: “open house” Mastul eV Kunstverein, Berlin, Germany; “Nachbarschaft Verlassen- Neighborhood Gone” Gallery Raskolnikow Dresden, Germany and upcoming “Unter Oberflächen” Delikatessenhaus, Leipzig Germany. Recent national exhibitions include: “Craftism ”, University of Wisconsin; “Devotion to Thread ”, Woodland Pattern Book Gallery, Milwaukee; “Fiberarts International Exhibition” Pittsburgh Center for the Arts and “National Small Art Quilt Exhibition” New York. Locally recent exhibitions include, “Here and Beyond” the Riffe Center, “Needle and Paint” Ohio Dominican University, “Sunbonnet Sue in trouble” Ohio Art League and Massillon Museum, Studio M. Vogley Woods has been reviewed by such publications as Columbus Dispatch, The Columbus Alive, Vital Source Magazine, and Dialogue Magazine.

Melissa Vogley Woods has recently co-directed the Ohio State Fair Fine Arts Exhibition, co-founded C.A.M.P. Community Arts and Mural Project. Vogley Woods has had the honor of being an entry and onsite juror for the Columbus Arts Festival, and juried for Montgomery County Visual and Media Fellowship Program. This year she will curate exhibitions at Hopkins Hall Gallery and Corridor and Ohio Dominican University, Whehrle Gallery as well as Juror the Upper Arlington Labor Day Art Festival.
To learn more about Melissa Vogley Woods, visit: http://web.me.com/stitchintheditch/melissavogleywoods/Home.html


Scarlet and Gray Theatre Named in New York

The Ohio State University has announced that the Scarlet & Gray Theatre is the name of the theatre being constructed in New York City to house performances of the UK’s Royal Shakespeare Company during its unprecedented six-week residency in summer 2011. The name was unveiled May 12 -- at an event at the university residence, welcoming visitors from the RSC to town -- by President Gordon Gee; RSC Artistic Director Michael Boyd and the Arts Initiative's Karen Bell (above). Ohio State is joining with Lincoln Center Festival and Park Avenue Armory to bring the renowned theatre company to New York for the Lincoln Center Festival. As part of the collaboration, the university was given naming rights for the theatre – a thrust-stage auditorium that brings actors and audiences closer together. The theatre is a full-scale replica of the award-winning Courtyard Theatre in Stratford-upon-Avon.

The sponsorship opportunity for the university was created when the Wexner Family made a generous gift to the Royal Shakespeare Company America to support the RSC’s 2011 visit to the US. The family requested any credit or visibility resulting from their charitable contribution be assigned to the university.


Guests at the event enjoyed a short vignette performed by RSC actors, including Howard Ward (above) and Akiya Henry (middle photo).

Notable News

Six actors, two directors and leaders from the Royal Shakespeare Company were in town last week to celebrate the growing partnership between two world-renowned institutions -- OSU and RSC. While in the community, the actors presented a short "Shakespeare in a Suitcase" program at the downtown Columbus Metropolitan Club, at a luncheon attended by nearly 200 business, community and university leaders. The troupe presented a 20-minute vignette of Henry V, in a program that drew in the audience, which included Lady Susie Sainsbury, chairwoman of Royal Shakespeare Company America, and Abigail Wexner.


Following lunch Karen Bell, associate vice president for arts outreach, moderated a discussion that included Jacqui O'Hanlon, RSC director of education, and Michael Boyd, artistic director. They talked about the partnership and Stand Up for Shakespeare America, an educational leadership program that involves local schoolteachers in the Columbus area.

Later that day, the RSC actors presented a vignette of Much Ado About Nothing for about 200 OSU students, faculty, staff and local teachers at OSU's Drake Performance and Event Center. They presented the program on a stage that worked just fine -- though it was actually built for the premiere of Three Sisters that same day.

Bell, O'Hanlon and Boyd had a discussion with the audience and fielded questions from the campus community about the partnership and educational leadership program. All photos above by Kevin Fitzsimons, Photo Services.

Nineteen local schoolteachers (above) -- from Metro High School, Columbus City Schools and Reynoldsburg City Schools -- were also on campus last week to work with the RSC guests, particularly education practitioners Ginny Grainger and Rachel Gartside. The teachers have been involved with the program for one year, traveling last summer to Stratford-upon-Avon and working with OSU faculty throughout the academic year. Their efforts based on the program are making an impact with students in their classrooms. Last Thursday, the teachers had the chance to explore more Stand Up for Shakespeare activities. A few MFA acting students joined the session at the Arts Initiative office (below). Ten MFA actors from Ohio State will be involved in the RSC program starting this summer.


Upcoming Arts in the Alley Events

Couchfire Collective presents ABX, a two-venue show May 28-29 in Arts in the Alley at South Campus Gateway. The show, which focuses on Visual Rhythms, features artworks by 14 local independent artists in the Ohio Art League Gallery (1552 N High St) and the Arts Initiative gallery (1568 N High St). Opening reception is Fri, May 28, 6-9 pm, with music by special guest DJ Moxy. The exhibition was organized by Juan Cerrera and curated by Stephanie Rond.

Save the Date! Thursday, June 3, marks the opening reception for The Ladies of Ohio: Digital Divas, a photo exhibition of Ohio's female illusionists by John Sherman Lathram III in the Arts Initiative gallery, 1568 N High St in the South Campus Gateway complex. The show features large-scale photographs from the artist's upcoming book by the same name. Best of all, a DJ will provide music and some of the ladies from the book will perform at the 6-9 pm opening reception.

Myiah Hutchens Wins "Promising Professors" Competition


Please join me in congratulating COPS' own Myiah Hutchens for winning the Association for Education in Journalism & Mass Communication's Mass Communication & Society division's "Promising Professors" competition. She will receive her Promising Professor award at this August's annual meeting. Myiah will take her new title with her as she begins her assistant professor position at Texas Tech in late August. Congrats Myiah!

Getting Down and Derby

Although it seems like the Kentucky Derby took place months ago, it was actually only a little over a week ago when I made the trip to Louisville for the first Derby of my life (Kentucky Derby that is; I’ve been to a home run derby, a roller derby, and a demolition derby before. I also got Kirby Puckett’s autograph one time, which has more to do with a Kirby than it does with a derby, but whatever.) Leading up to the trip, I just assumed that the Derby was going to be a lot like the Indy 500, only instead of an auto race that takes over three hours, it’s a horse race that takes two minutes. And instead of the crowd being full of hard working, God-fearing, backbone-of-America Hoosiers, the Derby crowd was just a bunch of moonshine-drinking sister-kissers from Kentucky (just kidding, Kentucky!). While my assumptions were somewhat accurate, my experience at the Derby wasn’t exactly what I had anticipated and was unlike anything I have ever done in my life.

My girlfriend (Sharkette?) and I bummed a ride down to Louisville on that Friday with Jon Diebler and his friend (after four years of being a walk-on, it’s no secret that I’m an unapologetic mooching master). Upon arriving in Louisville, The Sharkette and I met up with my brother and his friends at the hotel we would be staying at for the weekend. Shortly thereafter, someone in the group decided that we should go downtown because that’s where the beer and chicks are, man. I suggested that we should instead get custom-made Louisville Sluggers, find a photography studio, and then light our bats on fire and get some killer rad pics like we’re baseball players getting our high school senior pictures. This suggestion, like pretty much all my suggestions to teammates and coaches during my tenure at Ohio State, fell on deaf ears. I suddenly began to worry that maybe the group of guys I was with didn’t know how to have a good time.

DSC_0208-550x685 Pictured: A good time

When we got downtown at around 10 pm, we headed over to 4th Street which is apparently the swankiest part of Louisville. The enormous mob of people hanging out on 4th Street served as confirmation to me that this was in fact the place to be. After all, with the exception of America’s collective head-scratching love for the Black Eyed Peas, if a large number of people like something, it’s more than likely because that something is awesome. As it turns out, 3 Doors Down was having a concert in the middle of the street, where they were indirectly prompting people to lift their beers in the air and scream “Hell yeah!” by repeatedly asking everyone how they felt (I’m still confused as to how “Hell yeah!” is an acceptable answer to that question) . Following the conclusion of the concert when some guy next to us rocked out to “Kryptonite” with an air guitar, we decided to actually go into a bar because that’s where the beer and chicks are, man. A problem arose, though, when we found out that the bar we chose was charging a $30 cover charge, as were all the other bars in the area. If you’re scoring at home, this means that it now officially costs more to get into a Louisville bar during Kentucky Derby weekend than it does to get into Lindsay Lohan’s underpants during any weekend.

Since I was with The Sharkette, a $30 cover meant that I was going to have to shell out $60 just for us to get into the place. This wasn’t happening. I instead opted to hang out in the street where we watched the concert from, for one fairly obvious reason. Earlier in the night, our group had been standing next to a particularly attractive female who was dancing provocatively while enjoying an adult beverage (beer and chicks, man!). Two guys who had been watching this beautiful baby dance from a walkway 15 feet above us decided to reward her efforts by throwing $1 bills at her. Even though their rainmaking form was seriously lacking (they basically crumpled the bills up and threw them down at the girl), the fact remains that there was free money falling from the sky and I wasn’t going to pass that up. I scooped up about $10 before the guys in my group decided to go to the bar. When I came back for round two of what felt like that phone booth cash grab game, the guys who were throwing away money were gone. I was understandably upset because had I just stayed there and not gone with the group to check out the bar scene, I could have made at least three more dollars, easy. Instead, my night was pretty much ruined as I lost out on some serious cash and was forced to smell the excessive cologne that Louisville collectively wore on this night. At least I made up for everything later in the night when I took a pee and I flushed the toilet with my foot midstream (quite possibly the greatest athletic achievement of my life).

The following day was Derby day and according to pretty much every meteorologist in the area, the forecast for the Derby called for rain with a 100% chance of party. Our group arrived at the track sometime around 1 pm and we were dropped off right in the heart of some crazy protesters who appeared to be upset with everyone in the world. Apparently these people were devout Christians who thought since God didn’t explicitly state in The Bible that “thou shalt suck down five mint juleps and stick thy tongue down thy throat of some trashy skank whose boobs keep falling out”, it’s apparently a sin to do so (who knew?). These people were holding signs that said among other things, “It’s impossible to be a Christian homo” and “You deserve hell”. While both of these signs may have been offensive to some people, I was cool with them because I’m not gay and I’ve been to Ann Arbor, Michigan many times before and survived, so it’s really not a big deal to me if that’s what I deserve. Just when I thought I was going to be able to walk past these weirdos without being offended, though, the last sign in the row said “Santa Claus is a lie”. I was fine with them being moronic bigots who claimed that people they don’t even know deserve to go to hell, but they crossed the line with their last sign. It’s like they made all their signs and then realized that they hadn’t offended kids yet, so they made one last sign to make sure they ruined the day for absolutely everyone who walked by. As a Christian, I was a little upset by these people because they give the rest of us non-psycho Christians a bad name. This must be how all the other Muslims feel about Al-Qaeda or how Albert Pujols (who has obviously never done steroids at any point in his life) feels about every other Latino slugger in the history of steroids and baseball (seriously, guys—just because they all did roids, it doesn’t mean he did too).

When we finally made it to the track, someone in the group pointed out that the tickets for the infield were $40, which means, if you’re scoring at home, it now officially costs more money to get into the infield at the Kentucky Derby…wait, I already made this joke didn’t I? Damn. With a little smooth talking and sexual favors, everyone in our group actually only ended up paying $25 each. They all thought it was because one of the guys in the group busted out his fake (yet flawless) Australian accent and convinced the guy selling tickets to lower the price for us (the ticket guy was Australian, maybe?). I’m leaning towards the theory that we got cheaper tickets because the guy selling tickets was a member of The Trillion Man March, not so much because I truly believe that, but more because I try to make everyone around me believe it every time I get something discounted.

Once we made it into the Derby, it became glaringly obvious that these so called moonshine-drinking sister-kissers were actually people who like to party (and possibly also drink moonshine and kiss their sisters). In fact, believe it or not, it was a little t0o much party for me and The Sharkette (you have no idea how badly I want people to start calling her that) to handle. Everywhere we looked there were people who were either getting drunk, were already drunk, or were passed out from being just a little too drunk. There were guys belly-flopping in the mud, girls wrestling in the mud, and people saluting me because I converted an American flag into a cape (although I tried convincing everyone with me that they were saluting cause they’re in the Trillion Man March and just really like my blog). After an hour of observing the madness, I came to the conclusion that The Sharkette and I were the only two people in the infield who hadn’t consumed any alcohol yet. Alcohol is never a necessity for me to have a good time, but when every person within a two mile radius of me is hammered and I’ve been standing in the pouring down rain for an hour, a couple of beers tend to make the situation a little more tolerable. But right after I found a beer vendor, I found the bad news on the sign hanging above him telling me that beers cost $8. If you’re scoring at home, this means that it now officially costs more to buy a beer…

As a marketing major set to graduate in a month, I know all about these pricing tactics they were trying to pull on me, which is to say I wasn’t about to get suckered into spending the equivalent of a trip to Chipotle on a single beer (I also used to be a math major, so I know all about the Mean Value Theorem, but that isn’t quite as useful of a tool in everyday life). Faced with a serious crisis on my hands, I consulted with The Sharkette and we decided that spending $50 to get to the level of alcohol consumption necessary to tolerate the rain and mud simply wasn’t worth it. We instead chose to go with an alcohol-free approach (the psycho Christian protestors would have been proud), which made us feel more out of place than a salad in Queen Latifah’s refrigerator. After another hour of watching what seemed like an orgy with clothes (barely) on, I couldn’t take it anymore and decided that if I was going to spend way too much money on an adult beverage, I’d at least respect Kentucky Derby tradition and get a mint julep (for $10). I was told a mint julep was basically bourbon with a mint flavor added to it, so using reasonable logic that I like bourbon and I like mint, I assumed I would enjoy a mint julep. However, I could only stand to drink about a quarter of it before I generously gave the rest away. Like bacon air fresheners and Oreo O’s before them, mint juleps are just another example that sometimes it’s possible to combine two things I really enjoy and come up with something I’d rather live without.

Eventually, The Sharkette and I decided that the weather was so bad we would have skipped class if it were raining that hard on campus because we wouldn’t have wanted to walk in it for five minutes, yet here we were standing in it for three hours. At that point, we made the bold decision to leave the Kentucky Derby before the marquee race even took place. Sure some of you probably think I’m crazy for leaving early, but the fact is that I would have been crazy to soberly stand in the mud and rain for five hours, only to watch a two minute race from an angle that made it impossible to see what was going on. If I’m going to be crazy, I’d prefer to be crazy in the comfort of a warm and dry hotel room rather than be crazy while standing in mud next to some guy named “Tank”, who was giving himself a beer shower with his pants at his ankles. In the grand scheme of things, I don’t regret my decision to leave because my only real goals with going to the Derby were to experience the infield and try a mint julep, and I accomplished both of those. On a much smaller scale, I completely regret leaving early, only because I missed the “Australian” guy in our group do what is known as “running the gauntlet”. I could describe what exactly “the gauntlet” is, for those of you who don’t know, but I think this video of him will do a much better job than I ever could.

Proud to say my brother is the guy in the orange polo at 0:17

Although I didn’t entirely engulf myself into the Kentucky Derby infield experience (or in other words, “I didn’t get hammered, excessively muddy, and partially naked”), I think I got a good idea of what the Derby is about. My expectations for the Derby were greatly exceeded, for better and worse. The people in the infield know how to party more than I ever could have imagined, which was humbling for someone like me who thinks he knows how to have a good time. On the other hand, I was very disappointed to learn that the Derby experience is about twice as expensive as the Indy 500 experience, even though the race takes slightly less time to complete. Still, despite the awful weather, the mint julep letdown, and the lofty prices for just about everything, it was easy to see why so many people go back to the Derby year after year. It’s something all of you should experience at least once in your life (whether you go to the infield or not), only because it’s unlike any other sporting event in the world.

On the surface, it seems like the weather put a damper on my entire experience, but in reality I still had loads of fun thanks largely in part to non-Derby related things such as when the driver of the shuttle from the track to our hotel informed us that he’s tried fleeing the cops in his car on three occasions and was actually successful one of those times (he said after the cops caught him the other two times they “charged me with resisting arrest or some bull"***t”, which I thought was uncomfortably hilarious). Anyway, the Derby is a great time, even if there are way too many shirts and hats that say “Talk Derby to me”. I strongly suggest attending at least one Kentucky Derby in your life, if for no other reason than the fact that this event has been going on for almost 150 years and, as a general rule of thumb, anything that lasts almost 150 years is always worth checking out (except, of course, communism and Larry King). If you still aren’t convinced that you should go to the Derby at least once in your life, consider my final persuasive point—they’ve got beer and chicks there, man. ___________________________________________________

If you want to help build the Club Trillion scholarship fund and you’re a fan of comfortable shirts, I strongly suggest getting a CLUB TRIL shirt as soon as possible by clicking here. A large portion of the proceeds will go toward the scholarship, but some of the money will also go to A Kid Again, a local charity aimed at enhancing the quality of life for children with life-threatening illnesses. If you like comfortable, stylish shirts and you enjoy helping out a great cause, there’s no reason to not get a shirt. If you don’t like comfortable, stylish shirts and/or helping out a great cause, you suck. So basically, the only reason to not get a shirt is cause you suck. The ball is in your court. __________________________________________________

Your awesome YouTube was sent in to my by Andrew T. There’s your shout-out, Andrew. And here’s your video.

Proud To Be An American But Even Prouder To Be A Buckeye,

Mark Titus

Club Trillion Founder

Kapila: Educating Seeta


Educating Seeta

The Anglo-Indian Family Romance and the Poetics of Indirect Rule

Shuchi Kapila

Even though Edward Said’s Orientalism inspired several generations of scholars to study the English novel’s close involvement with colonialism, they have not considered how English novels themselves were radically altered by colonialism. In Educating Seeta, Shuchi Kapila argues that the paradoxes of indirect rule in British India were negotiated in “family romances” which encoded political struggle in the language of domestic and familial civility. A mixture of domestic ideology and liberal politics, these are Anglo-Indian romances, written by British colonials who lived in India during a period of indirect colonial rule. Instead of providing neat conclusions and smooth narratives, they become a record of the limits of liberal colonialism. They thus offer an important supplement to Victorian novels, extend the study of nineteenth-century domestic ideology, and offer a new perspective on colonial culture. Kapila demonstrates that popular writing about India and, by implication, other colonies is an important supplement to the high Victorian novel and indispensable to our understanding of nineteenth-century English literature and culture. Her nuanced study of British writing about indirect rule in India will reshape our understanding of Victorian domestic ideologies, class formation, and gender politics.

http://www.ohiostatepress.org

May 6 in the Alley

The weather is supposed to be perfect this Thursday, May 6 -- so head on over to Arts in the Alley at South Campus Gateway from 6 to 9 pm for gallery openings and live music! The Ohio Art League presents SEEPS, works by Justin Cramer, curated by Molly Jo Burke. According to the OAL, Cramer's paintings resemble eruptions of organisms that tend to thrive in grime, exposing underground tensions. The Shoebox gallery presents a show of works by ARTillery members, including Jesse Mills, Kate Dowell, Lisa Belsky, Lance Thompson, Uriah Landfried, Lisa McLymont, Katie Kikta, Jen Kiko, Bobby Rosenstock, Heather Wirth, Whitney Moore and Eric Rausch. And Mathematic Abstractions, works by Carly Witmer, continues in the Arts Initiative space. Live music by local rock band the Jive Pilots -- including original music and cover tunes -- will liven up the alley itself. All events are free!

Notable News

Check out our latest radio guests! The Arts Initiative's radio show -- the Emerging Artist Studio on WOSU's Capital City Radio -- has four new interviews posted online. Check out the spots featuring Karen Bell interviewing Chris Roche, Emily Bach, Helma Groot and Joe Graziosi. Click here.

An Afternoon with the Royal Shakespeare Company! Michael Boyd, renowned artistic director of the UK’s Royal Shakespeare Company, will be at Ohio State on May 12 along with six actors from the RSC Acting Company. The actors will present a “vignette” of a Shakespeare work, while Boyd will take part in a panel discussion with the RSC’s Jacqui O’Hanlon, education director, and Karen Bell, OSU associate vice president for arts outreach. They will present the program at 4 pm in Drake Performance Center. More information is available here.

The Earth Day Art Market attracted crowds of shoppers to the Arts in the Alley event on Saturday, April 24. Most of the vendors set up their wares in the Gateway Film Center lobby because of threatening weather, though others braved the showers and sold their works in the alley. Vendors sold everything from jewelry and glass to fiber works, ceramics, paintings and silk-screened t-shirts. A children's book reading and live music added to the festivities.

Whistling in the Dark Theatre Company presents The Colony by Galen Roth: A Staged Reading on Sunday, May 9, at 7 pm in the Shoebox at South Campus Gateway, 1570 N High St. The event is part of the group's "Sundays @ 7" series, and is just $3, including refreshments. A new work, The Colony is a philosophical thriller that explores the darker sides of destiny and fate in an artists' colony where six artists eventually become dissatisfied with their lots in life.

Call for Artists. Courage Unmasked for Joan's Fund -- a campaign to support head and neck cancer research at the James Cancer Center -- is seeking 50 artists from a variety of mediums to transform 50 radiation masks into works of art. The masks will be auctioned off next spring to raise funds for the campaign. Interested artists will be asked to submit two images of their current work. The campaign kicks off May 21. For information or to submit art samples, contact Melinda Cogley at MelindaCogley@msn.com.

Chivers and Markotić, eds.: The Problem Body


The Problem Body

Projecting Disability on Film

Edited by Sally Chivers and Nicole Markotić


In The Problem Body, editors Sally Chivers and Nicole Markotić bring together the work of eleven of the best disability scholars from the U.S., the U.K., Canada, and South Korea to explore a new approach to the study of film by concentrating on cinematic representations of what they term “the problem body.” The book is a much-needed exploration of the projection of disability on film combined with a much-needed rethinking of hierarchies of difference. The editors turned to the existing corpus of disability theory with its impressive insights about the social and cultural mediation of disabled bodies. They then sought, from scholars at every stage of their careers, new ideas about how disabled bodies coexist with a range of other bodies (gendered, queered, racialized, classed, etc.).

To call into question why certain bodies invite the label “problem” more frequently than other bodies, the contributors draw on scholarship from feminist, race, queer, cultural studies, disability, and film studies arenas. In Chivers and Markotić’s introduction, they draw on disability theory and a range of cinematic examples to explain the term “problem body” in relation to its projection. In explorations of film noir, illness narratives, classical Hollywood film, and French film, the essays reveal the “problem body” as a multiplication of lived circumstances constructed both physically and socially.

http://www.ohiostatepress.org